HASSLER CANTATE DOMINO PDF

This setting of Hans Leo Hassler’s motet “Cantate Domino” is an exuberant four’ part treatment of the traditional Catholic Introitus for the Fourth Sunday after. Cantate Domino. composer. Hans Leo Hassler (). author of text. Bible Dixi: confitebor adversum me iniustitiam meam Domino; et tu remisisti. Buy Cantate Domino (SATB) by Hans Leo Hassler/a at Choral Sheet Music. Hasslers masterwork of the 16th century is a standard on many.

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Sabine Cassola submitted A beautiful, unified, legato tone quality, with attention to fantate rise and fall of the melodic line arsis and thesisshould be important rehearsal goals.

Cantate Domino a 4 (Hans Leo Hassler)

Proclaim his promise of salvation from day to day. Madrigale del diniego Manolo Da Rold. Retrieved from ” https: Privacy policy About ChoralWiki Disclaimers. All dynamic markings are editorial and are included simply as suggestions, although it is recommended that some dynamic variation be utilized. Gerd Eichler submitted In this editor’s opinion, Hassler implies that the tactus should remain the same throughout both meters by writing a hemiola cadence in measures where the triple meter transitions back to duple.

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All the note values in this edition have been halved from the original. Home News Composers Catalog Order. Search Go dokino catalog Sing to the Lord a new song, sing to the Lord all the earth and bless his name.

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Transcribed from original dominno Tenor part from reprintMensurstrich layout, original key signature and note values, clefs modernized, musica ficta clearly marked CPDL Helmut Kickton submitted Singing the chant in this manner also provides an interesting musical contrast with the more articulate polyphonic motet. Note values halved, transposed up a perfect fifth SATB. Though Hassler was a Protestant, he spent much of his creative life in the service of Hasdler patrons who were Catholic.

Cantate Domino Alec Schumacker. The editorial brackets indicate moments where syllabic stress and nuance supersede metric stress.

Alliance Music Publications Inc. – Cantate Domino a 4

And Sure Stars Shining Z. Aristotle Aure Esguerra submitted Brian Marble submitted Transposed up a major sixth SATB.

Views Read View source View history. Contact Us About Us. Measure 23 is a good example of domion a new line of text might suggest a contrast in dynamics. Hassler composed both sacred and secular vocal and instrumental music, but is today probably best known for his masses, motets, and German songs.

In these places, the first note of each editorial bracket should be given a slight stress corresponding the textural nuance of the sung word.

Angele Dei Ivo Antognini. James Gibb submitted Including the chant in performance is completely optional, but is included here as a means of giving male choruses an opportunity to experience singing a unison passage of chant within the context of a concert setting.

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MusicXML source file is in compressed. This piece may have been originally performed by men and boys or by men alone. Proske nennt als seine Quelle die Sacri Concentus 4, 5, 6, 7, 8, 9, 10 et 12 Voc. Clamaverunt Justi Ivo Antognini. Click here to listen to a cantahe MP3. This page was last edited fantate 6 Decemberat Madrigale Mille Manolo Da Rold.

II Carl Proske abgedruckt. Original note values and pitch. Marco Gallo submitted The metric transition in measure 14 from duple to triple time is also editorial. In this edition a short excerpt from the opening of the monophonic chant precedes Hassler’s motet. This Grass Jacob Narverud. Rafael Ornes submitted Cantate Domino 4 voices Haassler Note values halved, transposed up a major second TTBB.

Click here to see a sample. Abel Di Marco submitted The Mistletoe Seth Burk. Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. Since all voice parts are of equal importance, conductors should strive to achieve a dkmino balance between all four parts.

DFC Dresden submitted The entire chant may be found in the Liber usualis. O quam suavis est Ivo Antognini. Hans Leo Hassler Source of text: