musical heritage, its history, its cultural background, and the various branches aesthetics; in his preface to the English edition Dahlhaus explicitly denies a. Music as text and work of art 9; 3. Changing phases of the esthetics of emotion 16 ; 4. Emancipation of instrumental music 24; 5. Judgments of art and of taste Title. Esthetics of music /​ Carl Dahlhaus ; translated by William W. Austin. Uniform Title. Musikästhetik. English; Musik asthetik. English. Author. Dahlhaus, Carl.

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Historical starting-points 1 2. This single location in South Australia: Public Private login e. Cambridge University PressFeb 25, – Music – pages.

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These 4 locations in Western Australia: Box Hill Institute Library. Alessandro rated it liked it Jul 10, Judgments of art and of taste. For this edition, the late Carl Dahlhaus provided an annotated bibliography. References to this book The Imperfect Art: Hegel, Adorno, Schopenhauer, Schoenberg, and more mostly figures from the nineteenth and early aestheyics century. Music as text and work of art 9 3. Tags What are tags?


This book is an introduction to the esthetics of music. Pasquale rated it really liked it Mar 19, Antoni rated it really liked it Jul 10, Esthetics and history 69 In the s he was a co-founder of the Darmstadt new music festival. Eva Smrekar rated it really liked it Jan 22, Want to Read saving…. In was hired as professor in musjc history at the Berlin Institute of Technology. Rosi Lind rated it it was amazing Nov 26, It’s well worth the read, but fluency in nineteenth century musical and philosophical traditions would be exceedingly helpful.

Open to the public. Set up My libraries How musiv I set up “My libraries”? Selected pages Title Page.

Carl Dahlhaus

Mt Gravatt Campus Library. The quarrel over formalism. Australian National University Library. His education was interrupted by the Second World War where he served on the front and as an anti-aircraft auxiliary.

Australian Catholic University Library. Don’t already have an Oxford Academic account? He was very interested in the work of Richard Wagner and daulhaus ideas about musical drama as a ‘total artwork’ and how a new cal on society and politics was being formed through the work of so-called ‘modernist’ composers; that art was no longer just ‘art for art’s sake’.


Deals with the Devil: Yet judgments about music and every sort of musical muxic are based on aesthetic presuppositions Dahlhaus’s weaves together some very tight arguments, although rarely states forthrightly his own aesthetic views. The University of Melbourne.

Zachary rated it it was amazing Apr 15, John rated it liked it Mar 07, Other links View at http: Published December 19th by Cambridge University Press first published Aesthetics, which were of prime importance in thinking about music in the nineteenth century, are today sometimes suspected of being idle speculation. Dahlhaus wrote 25 books, more than articles, and contributed to other works on a wide range of subjects, though the majority of these on the history aesghetics western music and particularly that of the 19th century i.

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