Theobald Boehm: Grande Polonaise for flute and piano, Op 16 – Play streams in full or download MP3 from Classical Archives (), the. Work Title, Polonaise for Flute and Piano, Op Alternative. Title, Grande Polonaise pour la Flûte avec accompagnement de Pianoforte. Œuvre Composer. Sheet Music for Flute & Piano (A-B) by Boehm, T, Grand Polonaise Op. 16, Published: Gerard Billaudot [GB], Editor: Heriche, Robert, Not Applicable.

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The obvious aim of such is that the performer is given the opportunity of demonstrating the expressiveness of tone in the first movement and in the second his finger dexterity and articulation. Theobald Boehm also performed this work himself in in Munich at a charity concert for the poor.

The Richault edition, published in Paris in the same year, is dedicated to amateurs of the flute. Here the piano part, richly laden with Alberti basses, serves principally as accompaniment. The orchestral material may be polonxise from Broekmans.

There have been no reviews. Erwin Schulhoff – Concertino for flute, viola and double bass Schulhoff’s own description of this piece is worth reading: Two of these studies number 2 and 11 also exist in arrangements made for the alto. By adding the double bass, Diepenbrock also added more profundity. It is assumed that the inspiration for this work was the World Exhibition held in in Paris, at which cultures from around the world had a pavilion. The opus 26 Caprices are now staples of the repertoire and provide excellent material for developing even finger work in each key.

George Schoeman, for instance, granx it with the Orchestra of the Paleis voor Volksvlijt, under polonaiwe composer’s baton. He was Kapelmeister to the Munich Court from to There is more evidence of chromaticism, po,onaise more challenging key signatures also appear; for example, the introduction of the Variations on a waltz by Schubert op 21, written in begins with a key signature of seven flats, before moving to B major.

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In Boehm’s variations the piano always has an accompanying role; in a few variations Schubert allows the flute to accompany the piano. This huge cultural palace, that burned down in and made way for the present Dutch Bank DNBwas for a long time, along with Felix Meritus, Amsterdam’s most significant centre of music, despite its infamously poor acoustics.

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Stettmeyer was originally a flutist in Hechingen, and was to become a member of the court orchestra Hoforchester in Munich, a position he held from to So it came about that Marianna Pezzoli-Grattaroli, a well-to-do lady of the Bergamo high social circles, became Donizetti’s benefactor around One more set of etudes is included in the complete works of Boehm.

The one-movement Sonata per Flauto e Pianoforte is dated by Donizetti, then 22 years old. Add a personal message. Since there are abundant mistakes in the part writing octave parallels etc.

Due to the various timbres of the wind instruments, the melodic pattern is more easily followed than in the original.

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That Boehm dedicated the Grande Polonaise to ‘his friend’ Camus reflects the bond of friendship that had been formed through various meetings in Paris, but equally reflects Camus’ great capacities as a player. The most important distinction between the two, however, is that the chaconne is composed on a continuously repeated bass theme of usually four or eight bars; in the passacaille only the rhythm of this often a minim followed by a crotchet is retained.

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Souffle introduces the sound of blown air as a new element in a piece for flute. As a composer he left behind a varied oeuvre that is distinguished by its inventive harmonic colouring and the touches of rhythmic and structural innovation. There he took also lessons in composition.

Incessant travels, mainly between the opera houses of Naples, Rome and Milan, were followed in by a sojourn of some years in Paris and by his appointment, inas Kapellmeister to the Viennese court. In the Concertino you find most of all gaiety, with a harmonic construction in Phrygian, Lydian and Mixolydian church modes. Having left his homeland at seven to study the violin and piano in Vienna, Enescu went to Paris in to continue his granc education.

The use of the oboe d’amore is in this context by no pllonaise coincidental. These were frand in when the new flute was in development, and it is thought that Boehm composed the works for his students to help them adapt to the new fingering system. He was regarded polonaiae one of the best flute players in Germany and enjoyed a successful career which took him on tours throughout Europe. These are demanding works, both in terms of duration many of them are over ten minutes long and technique, and are stylistically aligned with the salon music that was popular at fpute time.


Please enable JavaScript in your web browser. Petrassi just uses the three instruments to enlarge the overall compass of the piece; he doesn’t prescribe different characters to piccolo, flute or alto flute. The piano part is also eminently suitable for the harp.

Sheet Music :: Flute & Piano (A-B) :: Boehm, T :: Grand Polonaise Op. 16

The borhm, however, is only a dance while the chaconne is simultaneously sung and danced. The piece, along with his string quartets, still reflects Donizetti’s studies of the classical composers. Petrassi’s atonal language interrupted regularly by the ‘forbidden material’ of the chromatic scale forms gestures rather gramd phrases.

Additionally, the Presto covers around a dozen bars polonaiise from b. She also helped Donizetti to avoid military service. JanuaryFlorida Flute Convention, Orlando, Florida Please come by and visit us to see the latest in flutes and all the wonderful accessories to go along with them!

A traditional form, its effect is enhanced by Enescu with vrand features. It is one of his few chamber-music works for a wind instrument. While Boehm’s variations radiate especially his enthusiasm for virtuosity and brilliance, we encounter another concept in Schubert’s variations: His complete compositional output includes 37 works with opus numbers, and a further 54 unnumbered works, including 26 arrangements for alto flute.

Novalis was searching for more vitality, intimacy and mysticism in the ecclesiastical way of thinking: She also works as a professional photographer.

T. Boehm: Grand Polonaise for Flute and Piano

Opera, however, became his most important musical domain for the remaining three decades of his life. Sign Up for Savings.

Over this as often in old Slavonic song lies a floating melody in the flute.