Arvo Pärt. Cantus in Memory of Benjamin Britten, for string orchestra & bell. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. The BBC work page for Cantus in memoriam Benjamin Britten by Arvo Pärt. Find upcoming concerts, watch performances, and learn more. Cantus in Memoriam Benjamin Britten has to be one of the most depressive classical works I have heard in a very very long time. Absolutely.

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Meomry New Series, Just before his death I britren to appreciate the unusual purity of his music — I had had the impression of the same kind of purity in the ballads of Guillaume de Machaut. In the Cantus, benjmin first and second violins, cellos, and basses are all employed divisi, with each section accommodating both a T- and an M-line. Its appeal is often ascribed to its relative simplicity; a single melodic motif dominates and it both begins and ends with scored silence.

Similarly the other voices gradually find the note that they have been seeking and once reached, they play it continuously until the end. The aural result is that each of the melodic voices in the five instrumental groups plays the line at a different but proportional rate of speed, so that the first violins are 16 times as fast as the basses.

Due to its evocative and cinematic feel, the piece has been used extensively as background accompaniment in arvoo film and television benjamn. And even where the music really is simple in its audible features, the expressive import of those features is anything but. After the three beats of silence that open the score, a tubular bell is struck three times very quietly pianissimowith 12 beats between the strikes and gap of 18 beats between the groups of three.

Cantus in Memoriam Benjamin Britten – Wikipedia

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This texture is maintained until the last section of the work, at which point the melodic voices gradually conform to the predominating chord tones. After the bell has struck there is a brief pause for three beats of silence, and then the cantuz violins begin setting the pattern which the rest of the ensemble will follow at slower speeds.

Cantus in Memory of Benjamin… | Details | AllMusic

This entry prt from Wikipediathe user-contributed encyclopedia. M-lines are melodic lines that proceed in scalar or stepwise motion, usually within a diatonic scale and usually according to some kind of patterning system. In the past years we have had many losses in the world of music to mourn. Rainy Day Relaxation Road Trip.

I had just discovered Britten for myself. T-lines, or tintinnabular lines, emphasize the sonority of the tonal center by confining themselves to chord tones. If you find the biography content factually incorrect or highly offensive you can edit this article at Wikipedia. Continuum International Publishing, This kind of telescopic unity is cosmologically poignant, in the composer’s aesthetic, and hints at a kind of multidimensional chronology that exists only in the hereafter.

AllMusic relies heavily on JavaScript. Retrieved from ” https: The last to lock into place are the contrabasses which alight on a low A in bar They begin playing very quietly pianississimo but gradually over the piece build up until they are playing very loudly fortississimo.

You will regularly receive information about new scores with free downloads, current prize games and news about our composers. Playlists Featured All Recommended. The cantus was composed as an elegy to mourn the December death of the English composer Benjamin Britten. Inexplicable feelings of guilt, more than that even, arose in me.

At bar 65 the first violins hit middle Cand when they do they cease playing the A minor scale and simply play C continuously until the end of the piece i. Retrieved on 28 June Eleven bars later the second violins hit a low A and play memiry continuously. At this stage the whole ensemble is playing an A minor chord very very loudly, and this continues for five bars, then on the second beat of the last bar they suddenly stop.


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At that moment the bell is struck very quietly pianissimo so that the striking itself is not heard, but par the reverberations as it dies away. The overall shape seems to follow the procession to the cemetery and the lifeless body into the grave.

Postimees, 12 June A chime for dead tolls grimly, while the string lines consist of perpetually descending minor scales over elongated pedal tones. VAT plus shipping costs.

Cantus in Memory of Benjamin Britten, for string orchestra & bell

Michail Jurowski in Gohrisch. Thus, before the final bell tolls, and as the M-voices melt into the triadic ether, the body doesn’t just birtten into the earth: Sexy Trippy All Moods. Best 20th Century Classics A scale of A with no black keys is in the Aeolian mode. The cantus was composed as an elegy to mourn the December death of the English composer Benjamin Britten.

Cantus In Memory Of Benjamin Britten

The basses are then playing each long note for 32 beats, and each short note for However, as the critic Ivan Hewett observes, while it “may be memoty in concept It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License.

This evokes the common Renaissance and Baroque technique called the ” Picardy third “, in which a piece set in a minor mode or key nonetheless ends on a major chord, bwnjamin a ray of light piercing through the clouds, and suggesting hope, resurrection, or redemption. The melodic voice can be read to correspond with the mortal, the tintinnabular voice with the eternal — a dichotomy of body and spirit. Cantus in Memory of Benjamin Britten Duration: Tintinnabulation is memorj this. To these four pairs is added a single melodic line in the viola, the only one without a corresponding tintinnabular voice.